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Morphing Snavely: a tutorial Poetry is distinguished from ordinary language by having either a defined rhythm, rhyme, or shape -- sometimes all three. (Except for free verse which has none of the above. I don't know why it is considered poetry).
Within the general class of "Poetry", are many special forms which obey their own particular rules. You can find the rules for Limericks, which comprise the noblest form of Poetry, by clicking
![]() And while you are there, you can see the noblest limerick of them all -- the Saga of Snavely the Snail and his struggles with the Snorkelers from Wales. Since all of the poetry on this page will deal with the same subject, we'll reprint that limerick here:
William Shakespeare found this verse form nearly as lovely as that of the limerick. All sonnets have fourteen lines of five-foot iambic verse. And what, you may ask, is a five-foot iambic verse? Well, a foot consists of a group of syllables, one of which is accented. (Keep this in mind, you'll need it when we get to the double dactyls). An iambic foot contains five feet. The Elizabethan sonnet groups those lines in three quatrains (four lines apiece) with six alternating rhymes and a couplet (two lines). Here is how Snavely fares, Elizabethan-sonnet-wise.
There are other kinds of sonnets (Italian and Spenserian) but they all have fourteen lines of five-foot iambic verse. If you are a glutton for glossaries, there is a good glossary of poetry terms here.
A haiku is a triplet (three lines) that does not rhyme. It does, however, have a syllable pattern, to wit: the first line has five syllables, the second line seven syllables, and the third line has five syllables. Here's Snavely done up in Haiku.
That makes no sense, you say? Haiku seldom does.
Some time around the turn of the century, an American poet named Adelaid Crapsey [sic] got exasperated with Haiku -- probably because Haiku is a Japanese verse form that seldom makes sense in other languages. Note: we have only the word of the Japanese that it makes sense in their language. At any rate, Ms. Crapsey developed her own non-rhyming verse form, which she called Cinquain -- from the French word for "five" (cinq), because they had five lines. The cinquain is an extremely stylized verse form which follows the pattern:
Here's Snavely in cinquain form.
If you think the Cinquain is nutsy, wait until you hear about the diamante. This is a non-rhyming seven line poem set up in a diamond shape thus:
Snails Slimy crawly Accepting erasing, sobbing Spoiled marred, Welsh scofflaws Graffiting penning trashing Silly stupid Snorkler
After all of that, the Clerihew seems almost sane. It is a very simple rhyme, two couplets in length, rhyming aabb, usually dealing with a person designated in the initial line. It was named for its originator, Edmund Clerihew Bentley, an English writer. It goes thusly:
(also known as the Higgledy Piggledy) A dactyl is a foot (see under sonnet, above) which consists of a stressed syllable followed by two unstressed syllables -- DUM dee dee. A Double Dactyl is a rhyming poem with two 4-line stanzas, most of which consist of two dactylic feet. In other words, DUM dee dee DUM dee dee. The first line is a nonsense phrase -- very often, higgledy piggledy. The second line is the subject of the poem. The third line discusses or describes the subject. The fourth line is shortened -- instead of going DUM dee dee DUM dee dee, it goes DUM dee dee DUM. The fifth and the seventh lines have the same meter as the first and third lines. So does the sixth line, except that the sixth line consists of one double-dactylic word, such as "elephantiasis". And the last line rhymes with and is shortened like the fourth line. Got all that? Here's Snavely.
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